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Children of Paradise

Set in a turbulent 19th-century Paris, teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste loves the enigmatic Garance. Garance herself is pursued by three other men: the pretentious actor Frederick, the conniving thief Lacenaire, and Count Edouard of Montray.

Director(s)

Marcel Carné

Pierre Blondy

Bruno Tireux

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Cast & Crew

Nicolas Bataille

Nicolas Bataille

Extra (uncredited)

Rognoni

Rognoni

Le directeur du Grand Théâtre

Albert Rémy

Albert Rémy

Scarpia Barrigni

Jean Carmet

Jean Carmet

Un spectateur au paradis des Funambules (uncredited)

Maurice Schutz

Maurice Schutz

L'encaisseur agressé par Lacenaire

Gaston Modot

Gaston Modot

Fil de Soie

Marcel Pérès

Marcel Pérès

Le directeur des Funambules

Paul Frankeur

Paul Frankeur

L'inspecteur de police

Lucienne Legrand

Lucienne Legrand

La première jolie théâtreuse

Pierre Renoir

Pierre Renoir

Jericho

Louis Florencie

Louis Florencie

Le gendarme des 'Adrets'

Guy Favières

Guy Favières

Un encaisseur agressé par Lacenaire (uncredited)

Gérard Blain

Gérard Blain

(uncredited)

Arletty

Arletty

Claire Reine, dite Garance

Jean-Louis Barrault

Jean-Louis Barrault

Baptiste Debureau

Pierre Brasseur

Pierre Brasseur

Frédérick Lemaître

Marcel Herrand

Marcel Herrand

Pierre-François Lacenaire

María Casares

María Casares

Nathalie

Louis Salou

Louis Salou

Édouard comte de Montray

Jane Marken

Jane Marken

Mme Hermine

Fabien Loris

Fabien Loris

Avril

Etienne Decroux

Etienne Decroux

Anselme Debureau

Marcelle Monthil

Marcelle Monthil

Marie

Habib Benglia

Habib Benglia

L'employé des bains turcs

Jacques Castelot

Jacques Castelot

Georges

Robert Dhéry

Robert Dhéry

Célestin

Pierre Palau

Pierre Palau

Le régisseur des Funambules

Auguste Bovério

Auguste Bovério

Le premier auteur de "L'auberge des Adrets"

Paul Demange

Paul Demange

Le deuxième auteur de "L'auberge des Adrets"

Joe Alex

Joe Alex

(uncredited)

Bill Bocket

Bill Bocket

(uncredited)

Albert Broquin

Albert Broquin

(uncredited)

Jacques Josselin

Jacques Josselin

(uncredited)

Paul Temps

Paul Temps

(uncredited)

Michel Vadet

Michel Vadet

(uncredited)

Roger Vincent

Roger Vincent

(uncredited)

Rivers Cadet

Rivers Cadet

Un bourgeois (uncredited)

Jean Diéner

Jean Diéner

Le troisième auteur de "L'Auberge des Adrets" (uncredited)

Jean Gold

Jean Gold

Le deuxième dandy (uncredited))

Gustave Hamilton

Gustave Hamilton

Le concierge du Grand Théâtre (uncredited)

Jean Lanier

Jean Lanier

Iago - dans la représentation d' "Othello" (uncredited)

Léon Larive

Léon Larive

Le concierge des Funambules (uncredited)

Marcel Melrac

Marcel Melrac

Un gendarme (uncredited)

André Numès

André Numès

L'homme qui se fait voler sa montre (uncredited)

Raphaël Patorni

Raphaël Patorni

Un dandy (uncredited)

Lucien Walter

Lucien Walter

Le marchand de billets (uncredited)

Cynette Quero

Cynette Quero

La deuxième jolie théâtreuse (uncredited)

Marcel Carné

Marcel Carné

-

Pierre Blondy

Pierre Blondy

-

Bruno Tireux

Bruno Tireux

-

Details

GenresDrama, Romance
Runtime3h 10 mins
Released on15 Mar 1945
Languagefr
Age RatingNR
Produced InFrance

Reviews

CinemaSerf

7/10

Told in two acts with a curtain rising on both sections, this is quite a stylish, lavish even, and entertaining tale of a lady of the streets. "Garance" (Arletty) who sometimes uses her real name of "Claire Reine" is actually quite a decent woman who is wrongfully accused of pickpocketing in a busy market. Fortunately, the mime artist "Baptiste" comes to her rescue and quickly falls hook, line and sinker for the beautiful and charismatic woman. His problem is that she has no lack of suitors, and over the next three hours or so we are introduced to the lively and foppish "Lemaître" (Pierre Brasseur); the even more flamboyant but roguish "Lacenaire" (Marcel Herrand) and the aloof and sterile, but very wealthy "Comte de Montray" (Louis Salou). The plot itself isn't especially remarkable. A woman in the flushes of youth and attractiveness being sought after by a diverse collection of men. What makes this stand out is the marvellously applied mixture of heavily scored theatrical and cinematic styles. It's a love story and an adventure. How might things pan out for her as she ages, though? As her outward beauty begins to fade? Will any of them (or anyone else) still want her? Will she want them? The characters are quite roundly developed as director Marcel Carné takes his time to illustrate not just the persona of the heroine, but also those of her suitors whilst offering us a critique of a society in general that in early 19th century France mixed opulence with poverty, violence with tenderness. By using the different genres of theatre performances, Carné creatively provides us with a more subtle conduit between her series of trials and tribulations that allows us to tap into themes of culture and religion as well as human nature in many of it's guises. Arletty is on great form, as is Brasseur and given it was made just as the Nazi occupation was coming to it's own denouement, is quite an astonishingly artistic achievement that shows a nation with a healthy and defiant confidence in it's own identity and credentials.