Movie Background

Madeline's Madeline

Madeline has emerged as a core member of a renowned physical theater company. When the workshop's driven director urges the teenage performer to fuse her vivid inner life and fraught history with her mother into their collective art, the boundaries between stagecraft and life begin to blur. The ensuing clash between imagination and appropriation erupts from the rehearsal room and spills into the lives of the three women.

Director(s)

Miranda July

Jorge Torres-Torres

Josephine Decker

Ted Day

Nick Grau

Houston Jones

Where to watch

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Cast & Crew

Julee Cerda

Julee Cerda

Carrie

Myra Lucretia Taylor

Myra Lucretia Taylor

Kaila

Molly Parker

Molly Parker

Evangeline

Helena Howard

Helena Howard

Madeline

Sunita Mani

Sunita Mani

Assistant Max

Dana Eskelson

Dana Eskelson

Lamo

Curtiss Cook

Curtiss Cook

George

Mike Hodge

Mike Hodge

George's Stepdad

Josephine Decker

Josephine Decker

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Okwui Okpokwasili

Okwui Okpokwasili

Nurse, KK

Sophie Traub

Sophie Traub

Hollie, Dr. French

Ivan Martin

Ivan Martin

Onur

Henry Leyva

Henry Leyva

Henry

Suzette Gunn

Suzette Gunn

Njiri

Blake Baumgartner

Blake Baumgartner

Mariana

Nick Grau

Nick Grau

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Miranda July

Miranda July

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Emily Decker

Emily Decker

Salome

Eva Steinmetz

Eva Steinmetz

Claire, Woman in Pig Mask

Felipe Bonilla

Felipe Bonilla

Santos, Cousin Elmer

Lolo Haha

Lolo Haha

Aart

Jorge Torres-Torres

Jorge Torres-Torres

-

Lisa B. Tharps

Lisa B. Tharps

Laura

Charlotte Hornsby

Charlotte Hornsby

-

Jaron Elijah Hopkins

Jaron Elijah Hopkins

Damon

Jamal Batts

Jamal Batts

Jamal

Reynaldo Piniella

Reynaldo Piniella

Jaime

Sharon Mashihi

Sharon Mashihi

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Alexandra Tatarsky

Alexandra Tatarsky

Patient Melissa

Eston Clare Jr.

Eston Clare Jr.

Dean

Dale Paul Lazar

Dale Paul Lazar

Pink Bear, Troupe Musician

Isolde Chae-Lawrence

Isolde Chae-Lawrence

Costume Designer at Photo Shoot

Sarah Small

Sarah Small

Photographer's Assistant

Jazmyn C Dorsey

Jazmyn C Dorsey

Street Dancer - Child (uncredited)

Marie Check

Marie Check

Child Relative (uncredited)

Ted Day

Ted Day

-

Houston Jones

Houston Jones

-

Details

GenresDrama
Runtime1h 34 mins
Released on10 Aug 2018
Languageen
Produced InUnited States of America
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Reviews

griggs79

5/10

I watched _Madeline's Madeline_, mainly because I liked Josephine Decker's later film _Shirley_. This one's trying to do a lot—race, mental health, coming of age, mother-daughter tensions, plus a whole meta-theatre layer—whilst bold, it often felt like it was trying too hard to be important. That said, Helena Howard is phenomenal. It's a breakout performance full of rawness and intensity; she holds the whole chaotic thing together. Miranda July felt oddly constrained by the direction, somewhat hemmed in a film that encourages improvisation and emotional looseness, which is her bread and butter but denied to her here. There's no shortage of ideas here, and it's definitely interesting. Still, it left me admiring the ambition rather than enjoying the ride.

CinemaSerf

6/10

I think part of my problem with this was that however experimental the whole concept, or concept within that concept, was meant to be - I just didn't care one way or the other about the eponymous lass (Helena Howard). It didn't start so well with "you are not a cat, you are inside a cat" - not an image I wished to conjure up on any level! Anyway, she is a wanna-be actress who is quite prepared to put in the graft to succeed, and that's no easy task when surrounded by a combination of attitudes and ambitions that are as likely hostile to her success as not. To be fair to Howard, there is something very natural about her performance - it's just a girl trying to make it whilst juggling the balls of her personal life and the camerawork is sympathetically disjointed to give the whole thing a sense of lively improvisation as her story (sort of) unfolds. It's not that is lacks a traditional structure, it's just that by determining at all costs not to conform it completely failed to offer us any positives as to what it did want to be - and quite who it was for. It's random, bizarre and sometimes quite characterful but ultimately forgets to give us any hooks onto which we could invest. I didn't care nor, I wondered, should I. It's worth a watch; it's quirky and off the wall - but I think maybe just a little too self indulgent.

All Trailers

Official UK Trailer #2
Official UK Trailer
Official Singaporean Trailer
Official Trailer
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