
Naked Gun 33⅓: The Final Insult
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.
Director(s)
Peter Segal
Paul Feig
John Hockridge
Joseph J. Kontra
Violet Cazanjian
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Cast & crew

Elliott Gould
Elliott Gould (uncredited)

Ellen Greene
Louise

Bill Erwin
Conductor

Bryan Anthony
Dancer

John Capodice
Mr. Big

Thomas Rosales Jr.
Prisoner #2 (uncredited)

Joe Flood
Cop

Paul Feig
Oscar Audience Member

James Earl Jones
James Earl Jones (uncredited)

R. Lee Ermey
Prison Guard (uncredited)

Joe Grifasi
Director

Nigel Gibbs
Carjacker

Kathleen Freeman
Muriel
Aaron Seville
Cop
Joe D'Angerio
Security Guard

Fred Ward
Rocco

Mariel Hemingway
Mariel Hemingway (uncredited)

Lois de Banzie
Dr. Kohlzak

Marc Alaimo
Trucker

Tom Finnegan
Priest

Christopher J. Keene
Cop

Susan Breslau
Train Lady #1

Charlotte Zucker
Nurse
John Hockridge
-

Earl Boen
Dr. Eisendrath

Raye Birk
Papshmir

Leslie Nielsen
Lt. Frank Drebin
Joseph J. Kontra
-

Doris Belack
Dr. Roberts

Marcy Goldman
Train Lady #3

Mallory Sandler
Grocery Mother

David Zucker
Teleprompter Guy
George Sasaki
Oscar Audience Member (uncredited)

George Kennedy
Ed Hocken

Priscilla Presley
Jane Spencer

Symba
Oscar Guest in Birdcage Skirt (uncredited)
Paul A. Hutton
Doctor

Bill Zuckert
Old Man
Alex Zimmerman
Mess Hall Convict

Julie Strain
Dominatrix

Peter Segal
Producer of 'Sawdust & Mildew'
Matt Roe
Clayton
Violet Cazanjian
-

Randall 'Tex' Cobb
Big Hairy Con

Bruce A. Young
Tyrone (uncredited)

Eugene Greytak
Pope

Elisa Gabrielli
Mourner

Raquel Welch
Raquel Welch (uncredited)

Shannen Doherty
Shannen Doherty (uncredited)

Morgan Fairchild
Morgan Fairchild (uncredited)

'Weird Al' Yankovic
'Weird Al' Yankovic

Robert K. Weiss
Tuba Player

Glen Chin
Sumo Wrestler

O. J. Simpson
Nordberg

Olympia Dukakis
Olympia Dukakis (uncredited)
Jerald Vincent
Dancer

Ed Williams
Ted

Danny Daniels
Cabbie

Andre Rosey Brown
Corridor Guard

Lorali Hart
Melon Lady

Burton Zucker
Clinic Patient

Jeff Wright
Store Manager

Robert LoCash
Producer of 'Sawdust & Mildew'
Robert J. Elisberg
Taxi Driver

Wendy Hogan
Producer's Wife
Françoise Ruggieri
Academy Awards Guest (uncredited)

Anna Nicole Smith
Tanya

Wylie Small
Defense Attorney
Sharon Cornell
Stenographer
K.L. Segal
Purse Woman

Brad Lockerman
Jason

Rosalind Allen
Bobbi

Ann B. Davis
Ann B. Davis
Hammam Shafie
Cabbie

Jeffrey Anderson-Gunter
Cabbie

Vanna White
Vanna White

Rick Scarry
Security Guard

Mary Lou Retton
Mary Lou Retton
James R. Scribner
Phil Donahue's Make-Up Man
Lou Felder
Presenter
Chrissy Bocchino
Mother Theresa

Pia Zadora
Pia Zadora
Gary Cooper
Cop
Scott Evers
Umpire
Erin MacArthur
Train Lady #2
William Kerr
Producer of 'Sawdust & Mildew'
Jolie Chain
Producer's Wife
Jeri Caldwell
Producer's Wife
Michael Ewing
Assistant Director
David Malloy
Maalox Boy

Vanessa Sandin
Gabriella

Andrew Craig
Bryce Porterhouse Guard
David Fresco
Lifetime Award Recipient
Adam Hasart
Frank Jr.
Philip Yamaguchi
Sumo Wrestler

Florence Henderson
Florence Henderson

Tim Bohn
Waldo
Timothy Watters
President Clinton

Blane Savage
Dancer

Michael Chambers
Dancer
T.C. Diamond
Dancer
Brett Heine
Dancer

Wayne 'Crescendo' Ward
Dancer
Brian Wightman
Dancer
Joel Madison
Oscar Audience Member
Steve Pepoon
Oscar Audience Member

Scott Herriott
Oscar Audience Member
Edward Weber
Oscar Audience Member
Adrienne Parsons
Mercedes Lady

Taran Killam
Boy of Geriatric Park
Marianne Davis
Girl of Geriatric Park

Nikki Segal
Screaming Supermarket Baby

Heather Hewitt
Academy Awards Guest (uncredited)

Susan McNabb
Academy Awards Guest (uncredited)
Gary Cooper
Cop
Details
Reviews
Filipe Manuel Neto
**A fitting end to one of the great comedy trilogies of the 90s.** This is the third and final film in the “Naked Gun” trilogy. Throughout the film, one can smell farewell and conclusion, and it is undeniable that, among them, this is the weakest and least interesting. Even so, the film does what it needs to do to please its audience, who already know perfectly well what they are going to see and have a certain level of expectations. Although his style of humor may displease many people, we cannot deny that the three films were a notable success in the 80s and 90s, and that they had a major impact on Leslie Nielsen's filmography. In fact, the strength of Nielsen's work and charisma is what makes the film work. Without him, or with another actor, nothing would make sense and the final product would have no value. Even so, we must also highlight the work developed by O. J. Simpson, Priscilla Presley and George Kennedy, actors who put a lot of effort into their respective roles and found, in this film, time and material to match their talent. In fact, compared to its predecessors – and in these cases comparisons are inevitable – I thought this film gave more space to the secondary actors and gained additional quality as a result. It's not worth talking too much about the technical aspects, as this is a comical film that invests little in them and puts all its chips on humor and the main actor's performance. Even so, we can say that the film manages to maintain the quality that the trilogy has accustomed the public to. The script continues to be a problem, however, and is seen only as a vehicle for successive comic sequences and slapstick humor routines.
CinemaSerf
Given the huge success of the first two, I suppose the trilogy was bound to happen - but by now the joke and the characterisations had really worn very thin indeed. "Drebin" (Leslie Nielsen) is now happily (?) retired and living with his long-suffering wife "Jane" (Priscilla Presley) when he is sought out by his erstwhile colleagues "Ed" (George Kennedy) and "Nordberg" (OJ Simpson) to help out on their most dangerous case yet. Nope, the Queen is not making another state visit - it's "Rocco" (Fred Ward) and it looks like he wants to save Chris Rock any future embarrassment by blowing up the Oscars ceremony. What now ensues is a by now routine sequence of frying pan to fire scenarios, straight out of a Laurel & Hardy film. Sadly, that humour is all a bit passé now and though an appearance by Anna Nicole Smith must have given every budding actress from Tallahassee to Timbuktu a sense of hope that if she can make it, they can - the rest of it falls pretty flat! It is well enough made, the quips are quickly delivered and some of them still raise the odd smile. In the main, though, it is 80 minutes that almost looks like out-takes from the first two films with a thinly constructed plot by way of a template to hold it all together. It is watchable, but just not a patch on the earlier iterations.
r96sk
<em>'Naked Gun 33⅓: The Final Insult'</em> is the weakest of the trilogy, though fair amusement is still produced. Leslie Nielsen is so good in the lead role that I don't think it's really possible for these films to drag, at least alongside the decent gags and short run time. Admittedly this third entry does meander a tad, though my interest in events never waned into negative territory. The ending is the strongest part, that facepalm scene (which I knew of before) is gold. Overall, this is a good franchise. I'm quite looking forward to hopefully checking out Liam Neeson in the 2025 remake, as long as the writing is suitable I think he can absolutely make it work.



