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No Way Out

Two hoodlum brothers are brought into hospital for gunshot wounds; when one dies, the other accuses their Black doctor of murder.

Director(s)

George Tyne

Joseph L. Mankiewicz

Cast & Crew

Ossie Davis

Ossie Davis

John Brooks (uncredited)

Fred Graham

Fred Graham

Wilson (uncredited)

Al Murphy

Al Murphy

Cab Driver (uncredited)

Will Wright

Will Wright

Dr. Cheney (uncredited)

Frank Jaquet

Frank Jaquet

Mr. Reilly (uncredited)

Ralph Dunn

Ralph Dunn

Sam (uncredited)

Doris Kemper

Doris Kemper

Wife (uncredited)

Jerry Sheldon

Jerry Sheldon

Doctor (uncredited)

Stanley Ridges

Stanley Ridges

Sam Moreland

Ray Teal

Ray Teal

Day Deputy in Hospital Prison Ward (uncredited)

Jack Kruschen

Jack Kruschen

(uncredited)

Don Kohler

Don Kohler

Orderly (uncredited)

Herbert Lytton

Herbert Lytton

Doctor (uncredited)

Amanda Randolph

Amanda Randolph

Gladys (uncredited)

Sidney Poitier

Sidney Poitier

Luther Brooks

Harry Lauter

Harry Lauter

Orderly (uncredited)

Victor Kilian

Victor Kilian

Father (uncredited)

George Tyne

George Tyne

-

Stephen McNally

Stephen McNally

Dan Wharton

Eda Reiss Merin

Eda Reiss Merin

Nurse (uncredited)

Jessie Arnold

Jessie Arnold

Woman (uncredited)

Davis Roberts

Davis Roberts

Heckler at Riot Meeting (uncredited)

Frank Overton

Frank Overton

Intern (uncredited)

Robert Adler

Robert Adler

Louie (uncredited)

Mack Williams

Mack Williams

Husband (uncredited)

Ian Wolfe

Ian Wolfe

Watkins (uncredited)

Howard M. Mitchell

Howard M. Mitchell

Bailiff (uncredited)

Charles Ferguson

Charles Ferguson

Man Leaving Hospital (uncredited)

Frank Richards

Frank Richards

Mac (uncredited)

Eleanor Audley

Eleanor Audley

Wife (uncredited)

Ruby Dee

Ruby Dee

Connie Brooks (uncredited)

Bert Freed

Bert Freed

Rocky Miller (uncredited)

Harry Carter

Harry Carter

Orderly (uncredited)

Richard Widmark

Richard Widmark

Ray Biddle

Ann Tyrrell

Ann Tyrrell

Nurse (uncredited)

Ken Christy

Ken Christy

Ed Kowlaski (uncredited)

J. Louis Johnson

J. Louis Johnson

Elderly Black Man (uncredited)

Kathryn Sheldon

Kathryn Sheldon

Mother (uncredited)

Frederick O'Neal

Frederick O'Neal

Man (uncredited)

Barbara Pepper

Barbara Pepper

Woman (uncredited)

Emmett Smith

Emmett Smith

Joe (uncredited)

Jack Daley

Jack Daley

Man (uncredited)

Maudie Prickett

Maudie Prickett

Woman (uncredited)

William Washington

William Washington

Student (uncredited)

Kitty O'Neil

Kitty O'Neil

Landlady (uncredited)

Charles Flynn

Charles Flynn

Deputy (uncredited)

Stan Johnson

Stan Johnson

Intern (uncredited)

Joseph L. Mankiewicz

Joseph L. Mankiewicz

-

Polly Bailey

Polly Bailey

Woman (uncredited)

Harry Bellaver

Harry Bellaver

George Biddle

Charles J. Conrad

Charles J. Conrad

Doctor (uncredited)

Ruth Warren

Ruth Warren

Sam's Wife (uncredited)

Dick Paxton

Dick Paxton

Johnny Biddle (uncredited)

Betsy Blair

Betsy Blair

Telephone Operator (uncredited)

Phil Tully

Phil Tully

Sergeant (uncredited)

Ernest Anderson

Ernest Anderson

School Teacher (uncredited)

Charles McAvoy

Charles McAvoy

Riley (uncredited)

Duke Watson

Duke Watson

Gas Station Attendent (uncredited)

Ann Morrison

Ann Morrison

Nurse (uncredited)

Jim Toney

Jim Toney

Deputy Sheriff (uncredited)

Leola Wendorff

Leola Wendorff

Polish Wife (uncredited)

Linda Darnell

Linda Darnell

Edie Johnson

Mildred Joanne Smith

Mildred Joanne Smith

Cora Brooks

Dots Johnson

Dots Johnson

Lefty Jones

Eileen Boyer

Eileen Boyer

Telephone Operator (uncredited)

Wade Dumas

Wade Dumas

Jonah (uncredited)

Elzie Emanuel

Elzie Emanuel

Student (uncredited)

Francine Everett

Francine Everett

Woman (uncredited)

Alyce Goering

Alyce Goering

Woman (uncredited)

Joe Hartman

Joe Hartman

Doctor (uncredited)

Gil Herman

Gil Herman

Doctor (uncredited)

Don Hicks

Don Hicks

Doctor (uncredited)

Ralph Hodges

Ralph Hodges

Terry (uncredited)

Ray Hyke

Ray Hyke

Orderly (uncredited)

Thomas Ingersoll

Thomas Ingersoll

Priest (uncredited)

Johnnie Jallings

Johnnie Jallings

Telephone Operator (uncredited)

Berneice Janssen

Berneice Janssen

Secretary (uncredited)

Marie Lampe

Marie Lampe

Telephone Operator (uncredited)

Kathy Marlowe

Kathy Marlowe

Woman (uncredited)

Daniel Meyers

Daniel Meyers

Man (uncredited)

William Pullen

William Pullen

Ambulance Doctor (uncredited)

Maude Simmons

Maude Simmons

Luther's Mother (uncredited)

Art Thompson

Art Thompson

Doctor (uncredited)

Gertrude Tighe

Gertrude Tighe

Telephone Operator (uncredited)

Jasper Weldon

Jasper Weldon

Henry (uncredited)

Ruben Wendorf

Ruben Wendorf

Polish Husband (uncredited)

John Whitney

John Whitney

Assistant (uncredited)

Details

GenresDrama, Crime, Thriller
Runtime1h 46 mins
Released on16 Aug 1950
Languageen
Produced InUnited States of America
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Reviews

CinemaSerf

7/10

Talk about biting the hand that would feed you! Two petty thieves end up in hospital after a robbery went wrong. “Ray” (Richard Widmark) is an angry and odious character who refuses to let the duty doctor “Brooks” (Sydney Poitier) anywhere near his injured brother. His protestations are ignored, but when the patient dies his brother begins to make all sorts of vile racist assertions against the doctor. These noises are soon being heard on the streets, and with racial tensions already running high the situation becomes dangerous for the doctor, his family, his hospital and amidst a community at large just itching for a brawl. Central to this toxicity is “Edie” (Linda Darnell). She was formerly married to the deceased man and although she’s not quite a card-carrying member of the KKK, she is still fairly bigoted and is inclined to support the allegations of “Ray”. However, as she sees the brutality unfold might she realise that she is wrong, that “Ray” is wrong and that she might be the only one who can help - especially when “Ray” escapes and sets off on his own path of vengeance. Widmark wasn’t always the most engaging of actors, indeed he could be downright wooden at times, but here there is something viscerally unpleasant about his characterisation and he commits himself completely to depicting an ignorant man convincingly. Darnell is also on great form as a troubled soul for whom it is quite difficult to have sympathy at the start, but whose performance rather effectively epitomises struggles across America with matters of racism, mental illness and to an extent, sexism too. Poitier’s character isn’t so very well developed, but he still manages to bring a professional dignity to his role, especially towards the conclusion, and all in all this is a thought-provoking film that even manages to evoke a little pity, too.

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