
Return to Silent Hill
When James receives a mysterious letter from his lost love Mary, he is drawn to Silent Hill—a once-familiar town now consumed by darkness. As he searches for her, James faces monstrous creatures and unravels a terrifying truth that will push him to the edge of his sanity.
Director(s)
Aleksandra Kljajić
Christophe Gans
Cast & crew

Jeremy Irvine
James Sunderland

Hannah Emily Anderson
Mary Crane / Angela / Maria / Moth Mary

Evie Templeton
Laura

Pearse Egan
Eddie

Nicola Alexis
M

Robert Strange
Pyramid Head

Emily Carding
Dara

Eve Macklin
Kaitlyn

Lara Duru
Meyers Twin

Karya Duru
Meyers Twin

Alana Maria
Mitzy

Howard Saddler
Cal

Martine Richards
Claudette

Matteo Pasquini
The Homeless Man

Melissa Graham
Attending Physician

Rhiannon Moushall
Waitress

Slaviša Ivanović
Bouncer

Adam Basil
Joshua Crane

Tamara Ristoska
Nurse

Giulia Pelagatti
Armless / Spider Lady

Ljiljana Velimirov
Armless

Jasper Salon
Doctor

Sandy E. Scott
Doctor
Marija Milicevic
Nurse
Anastasija Kanazarevic
Nurse
Ana Obradovic
Nurse
Ljudmila Korobova
Nurse
Masa Anic
Nurse
Aleksandra Kljajić
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Christophe Gans
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Details
Reviews
MovieGuys
When it takes over thirty minutes for a film to go anywhere even remotely interesting, for my money, something is wrong. "Return to Silent Hill" lacks both pace and scares; in short, I found it boring. It's not the actors' fault; they hand in decent performances. Its story, in my opinion, needed to be reworked to make it more engaging and exciting. In summary, acting is fine, but I found the story lackadaisical and dull. Can't recommend this one.
CinemaSerf
Ok, so I don’t remember going to “Silent Hill” first time around (in 2006), but after this I am certain I will never go again. At least Christopher Gans had enough wits about him to cast someone easy on the eye in the lead, but even the ashen-looking Jeremy Irvine couldn’t breathe any life into this. He’s “James” who meets up with “Mary” (Hannah Emily Anderson) after he managed to hit her luggage with his car. Thereafter they flirt, court, move in together, split up - but as far as this plot is concerned, in no coherent order and only delivered to us by way of flashback. It’s only as he returns to find her again he discovers the town is now the victim of what looks like a nearby meteor strike and the place devoid of all but some curious humanoid creatures that definitely mean him harm. Can he put the pieces of this emotionally confused jigsaw together? Do we care? If this were just to have been a monster film with Irvine in a semi-psychotic fight for survival, then perhaps it might have worked better. It isn’t. The timelines are all over the place; characters appear and the disappear seemingly quite randomly and the psychological impact of the story is so compromised as to render this little better than a mess that looks every inch an incremental video game put onto a big screen. Some of the creativity behind the visual effects is to be commended but the story is completely lacking in either characterisation or substance. It will kill some time on the telly in October, maybe, but otherwise this has little to recommend it to anyone.




















