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Secret Beyond the Door

Following a whirlwind romance in Mexico, a beautiful heiress weds a man she scarcely knows. She soon discovers his New York residence is populated by his peculiar circle of relatives, and features macabre rooms that are faithful replicas of infamous murder sites. A single locked chamber harbors the key to her husband's obsession and reveals the truth behind what happened to his first wife.

Director(s)

Fritz Lang

William Holland

Dorothy Hughes

Cast & Crew

Pedro Regas

Pedro Regas

Waiter (uncredited)

Jesse Graves

Jesse Graves

Train Porter (uncredited)

Frank O'Connor

Frank O'Connor

Train Conductor (uncredited)

Fritz Lang

Fritz Lang

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Ralph Brooks

Ralph Brooks

Guest in Home Tour (uncredited)

Frank Dae

Frank Dae

Country Squire (uncredited)

Donald Kerr

Donald Kerr

Ticket Man (uncredited)

Hans Moebus

Hans Moebus

Guest in Home Tour (uncredited)

Herschel Graham

Herschel Graham

Guest in Home Tour (uncredited)

James Seay

James Seay

Bob Dwight

Albert Cavens

Albert Cavens

Guest in Home Tour (uncredited)

Michael Redgrave

Michael Redgrave

Mark Lamphere

Dorothy Hughes

Dorothy Hughes

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William Holland

William Holland

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Paul Fierro

Paul Fierro

Fighter (uncredited)

Lucio Villegas

Lucio Villegas

Priest (uncredited)

Harry Denny

Harry Denny

College President (uncredited)

Bob Reeves

Bob Reeves

Guest in Home Tour (uncredited)

Peggy Remington

Peggy Remington

Dean of Women (uncredited)

Eddy Waller

Eddy Waller

Lem (uncredited)

Virginia Brissac

Virginia Brissac

Sarah (uncredited)

Paul Cavanagh

Paul Cavanagh

Rick Barrett

Anne Revere

Anne Revere

Caroline Lamphere

Virginia Farmer

Virginia Farmer

Levender Falls Wife (uncredited)

Julian Rivero

Julian Rivero

Proprietor (uncredited)

Paul Scardon

Paul Scardon

Owl Eyes (uncredited)

Nolan Leary

Nolan Leary

Station Agent (uncredited)

Houseley Stevenson

Houseley Stevenson

Andy (uncredited)

David Cota

David Cota

Small Mexican Knife Fighter (uncredited)

Natalie Schafer

Natalie Schafer

Edith Potter

Crane Whitley

Crane Whitley

Levender Falls Husband (uncredited)

Anabel Shaw

Anabel Shaw

Intellectual Sub-Deb

Joan Bennett

Joan Bennett

Celia Lamphere

Ralph Littlefield

Ralph Littlefield

Gothic Man (uncredited)

Ray Beltram

Ray Beltram

Townsman (uncredited)

Tom Chatterton

Tom Chatterton

Judge (uncredited)

Barbara O'Neil

Barbara O'Neil

Miss Robey

Maria Haro

Maria Haro

Townswoman (uncredited)

Rosa Rey

Rosa Rey

Paquita

Mark Dennis

Mark Dennis

David Lamphere

Robert Barber

Robert Barber

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Watson Downs

Watson Downs

Conductor (uncredited)

Danny Duncan

Danny Duncan

Ferret-Faced Man (uncredited)

Robert Espinoza

Robert Espinoza

Altar Boy (uncredited)

Marie Harmon

Marie Harmon

Sub-Deb (uncredited)

Donna Martell

Donna Martell

Young Mexican Girl (uncredited)

Kay Morley

Kay Morley

Sub-Deb (uncredited)

Tony Rodriquez

Tony Rodriquez

Altar Boy (uncredited)

Wayne C. Treadway

Wayne C. Treadway

Beefy Man (uncredited)

Details

GenresMystery, Thriller, Drama, Romance
Runtime1h 39 mins
Released on24 Dec 1947
Languageen
Produced InUnited States of America
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Reviews

CinemaSerf

7/10

I rather enjoyed this film - Fritz Lang leaves much of the intrigue to emanate from own imagination. "Celia" (Joan Bennett) meets and quickly falls in love with Michael Redgrave ("Mark"), an enigmatic gent from a family that has known better days. They decamp to his remote family mansion where she meets his sister, and his teenage son - of whom she was hitherto unaware. Things all start to take a turn for the strange once she arrives; her husband collects "rooms" - he recreates the rooms where historically macabre events have happened. There is a room in their home that he keeps locked - what's inside? Her paranoia, fuelled by some eerily lit scenarios and a good, suspicion-arousing performance from Redgrave gradually builds into quite a tense denouement. It has shades of "Rebecca" (1940) about it - the sister "Caroline" (Anne Revere) assuming the role of the mysteriously obsessive third party and there is enough ambiguity going on to keep it interesting until the end.

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