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Strangers When We Meet

A suburban architect loves his wife yet grows weary of his marriage and his work, prompting him to embark on an affair with the neglected, married beauty who lives just down the street.

Director(s)

Richard Quine

Cast & Crew

Walter Matthau

Walter Matthau

Felix Anders

Kirk Douglas

Kirk Douglas

Larry Coe

Virginia Bruce

Virginia Bruce

Mrs. Wagner

Sue Ane Langdon

Sue Ane Langdon

Daphne

Nancy Kovack

Nancy Kovack

Marcia

John Bryant

John Bryant

Ken Gault

Paul Picerni

Paul Picerni

Arthur Gerandi

Kent Smith

Kent Smith

Stanley Baxter

Barbara Rush

Barbara Rush

Eve Coe

Kim Novak

Kim Novak

Margaret 'Maggie' Gault

Ernie Kovacs

Ernie Kovacs

Roger Altar

Richard Quine

Richard Quine

-

George Boyce

George Boyce

Restaurant Patron

Roberta Shore

Roberta Shore

Lindy, the Babysitter

Bart Patton

Bart Patton

Hank (uncredited)

Helen Gallagher

Helen Gallagher

Betty Anders

Timmy Molina

Timmy Molina

Patrick Gault

Sheryl Deauville

Sheryl Deauville

Hat Check Girl

Judy Lang

Judy Lang

-

Details

GenresRomance, Drama
Runtime1h 57 mins
Released on29 Jun 1960
Languageen
Produced InUnited States of America
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Reviews

CinemaSerf

6/10

When successful architect "Larry" (Kirk Douglas) meets bored "Maggie" (Kim Novak) at the school bus stop after dropping off their respective children, you can just tell that things are going to start smouldering! He's married to "Eve" (Barbara Rush) and she to prominent writer "Roger" (Ernie Kovacks) and it's the latter man who has employed the former to design and build a new hilltop home for his family. So far, it's all just a routine family melodrama that, for my money anyway, Douglas brings very little to. Luckily for us, though, we also have the presence of the rather odious neighbour "Felix" (Walter Matthau) who says very little but sees everything. Of course, the grass is always greener and the cheating couple gradually realise that though there is certainly gratification to be had, happiness is a completely different thing. Their secret, shallow, lives have brought them a sort of love, but it's hollow and unsustainable and the innocent amongst them start to pay the price for their infidelities. There is a degree of chemistry between Douglas and Novak, Ernie Novaks is also quite effective but it's really down to Matthau who features sparingly, but very potently, with even an hint of menace towards the end. It ends with more of a whimper than a bang, which I felt was a bit underwhelming after two hours of a rather stringy score and lots of coastal cinematography. I might have enjoyed this more had Douglas been replaced by a stronger, more characterful actor- but as it is, it's still quite an interesting take on the ramifications of the so called "easy win".

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