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The Importance of Being Earnest

Two young gentlemen in 1890s England secretly share the same alias, Ernest; complications arise when both fall in love with women who bear that name, triggering a comedy of mistaken identities.

Director(s)

Anthony Asquith

Robert Asher

Joan Davis

David W. Orton

Cast & Crew

Joan Davis

Joan Davis

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Richard Wattis

Richard Wattis

Seton

Michael Redgrave

Michael Redgrave

Ernest Worthing

Miles Malleson

Miles Malleson

Canon Chasuble

Aubrey Mather

Aubrey Mather

Merriman

Joan Greenwood

Joan Greenwood

Gwendolen Fairfax

David W. Orton

David W. Orton

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Ivor Barnard

Ivor Barnard

Conductor (Uncredited)

Edith Evans

Edith Evans

Lady Bracknell

Margaret Rutherford

Margaret Rutherford

Miss Prism

Anthony Asquith

Anthony Asquith

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Walter Hudd

Walter Hudd

Lane

Robert Asher

Robert Asher

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Michael Denison

Michael Denison

Algernon Moncrieff

Dorothy Tutin

Dorothy Tutin

Cecily Cardew

Details

GenresComedy
Runtime1h 35 mins
Released on02 Jun 1952
Languageen
Produced InUnited Kingdom
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Reviews

CinemaSerf

7/10

There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curtain at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...

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