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The Shanghai Gesture

A gambling queen employs blackmail to thwart a British financier from closing her Chinese clip joint.

Director(s)

Josef von Sternberg

John London

Cast & Crew

Mikhail Rasumny

Mikhail Rasumny

The Appraiser

Eric Blore

Eric Blore

Caesar Hawkins

Ivan Lebedeff

Ivan Lebedeff

Boris

Mike Mazurki

Mike Mazurki

The Coolie

John Abbott

John Abbott

Poppy's Escort

Victor Mature

Victor Mature

Doctor Omar

Maria Ouspenskaya

Maria Ouspenskaya

The Amah

Rex Evans

Rex Evans

The Counselor

Clyde Fillmore

Clyde Fillmore

Percival Montgomery Howe

Walter Huston

Walter Huston

Sir Guy Charteris

Marcel Dalio

Marcel Dalio

The Master of the Spinning Wheel

Gene Tierney

Gene Tierney

Victoria Charteris (aka "Poppy Smith")

Albert Bassermann

Albert Bassermann

Van Elst

Grayce Hampton

Grayce Hampton

Lady Blessington

Ona Munson

Ona Munson

'Mother' Gin Sling

Phyllis Brooks

Phyllis Brooks

Dixie Pomeroy

Michael Dalmatoff

Michael Dalmatoff

The Bartender

Josef von Sternberg

Josef von Sternberg

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John London

John London

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Details

GenresDrama
Runtime1h 39 mins
Released on25 Dec 1941
Languageen
Produced InUnited States of America
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Reviews

CinemaSerf

6/10

"Sir Guy Charteris" (Walter Huston) is an entrepreneurial British developer who has his eyes on the gin-palace of "Mother Gin Sling" (Ona Munson). The latter woman is running her successful den of iniquity and has no intention of acquiescing to the venal aspirations of her new nemesis. Determined to fight back, she enlists the help of the rather unscrupulous "Dr. Omar" (a rather mis-cast Victor Mature) to ensure that "Poppy" (Gene Tierney) - the daughter of "Charteris" - is introduced to the delightful effects of opium! The story becomes further complicated when it transpires that there is a personal history between the millionaire and the casino owner - and soon a plan is afoot to bring down retribution on his head. This has the look of an older "Charlie Chan" film to it, one without the charisma of Warner Oland or Sydney Toler. The scenarios are all very predictable and there is far too much dialogue as the tale meanders along for an over-long ninety minutes before a rather underwhelming, melodramatic, conclusion. Despite her relatively lowly billing, the films belongs to Munson when she appears, otherwise it's all pretty procedural daytime fayre.

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