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The Strange Ones

Elisabeth and her brother Paul live in isolated seclusion from much of the world after Paul is injured in a snowball fight. As a coping mechanism, the two conjure a hermetic dream of their own making. Their relationship, however, is far from wholesome. Jealousy and a malevolent undercurrent seep into their fantasy when Elisabeth invites the strange Agathe to stay with them — and Paul is instantly attracted to her.

Director(s)

Jean Cocteau

Jean-Pierre Melville

Serge Bourguignon

Claude Pinoteau

Cast & Crew

Jean-Marie Robain

Jean-Marie Robain

Headmaster

Jean Cocteau

Jean Cocteau

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Jean-Pierre Melville

Jean-Pierre Melville

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Nicole Stéphane

Nicole Stéphane

Elisabeth

Edouard Dermithe

Edouard Dermithe

Paul

Renée Cosima

Renée Cosima

Dargelos / Agathe

Jacques Bernard

Jacques Bernard

Gerard

Melvyn Martin

Melvyn Martin

Michael

Maria Cyliakus

Maria Cyliakus

Mother

Maurice Revel

Maurice Revel

Doctor

Rachel Devirys

Rachel Devirys

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Adeline Aucoc

Adeline Aucoc

Mariette

Emile Mathys

Emile Mathys

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Roger Gaillard

Roger Gaillard

Gerard's Uncle

Annabel Buffet

Annabel Buffet

Model

Karin Lannby

Karin Lannby

Mother

Hélène Rémy

Hélène Rémy

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Pierre Benichou

Pierre Benichou

Young schoolboy

Serge Bourguignon

Serge Bourguignon

-

Claude Pinoteau

Claude Pinoteau

-

Details

GenresDrama
Runtime1h 47 mins
Released on29 Mar 1950
Languagefr
Produced InFrance

Reviews

CinemaSerf

6/10

"Paul" (Edouard Dermithe) is a young man who comes off rather badly after a snowball fight; one finds it's mark necessitating a visit from their doctor who advises bedrest - on a pretty permanent basis! He is to be looked after by his sister "Elisabeth" (Nicole Stéphane) with whom he shares a room. What now ensues is a hybrid of the sibling and the marital as their love to hate to love relationship, bordering on the incestuous (but never actually more than bordering) evolves. Both characters are handsome to look at, there are undercurrents of homosexuality and depravity - moral, certainly, physical less so - but I have to say I found the whole thing just a bit on the sterile side. It's not that their relationship together, nor with the rather unattractive "Dargelos" (Renée Cosima) needed any sort of visual consummation - it doesn't; but there is little if any chemistry to raise this above a rather statically, though beatifically crafted, story of people who can't live with, or without, each other. i am certainly no expert on Cocteau on Melville, but I ought not to have to be - this film should be able to stand it's own merits, and for me it is just a rather extended, unremarkable family squabble, with occasionally pithy but all to frequently petulant dialogue that 70 years after lacks any real potency.