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The Trial of Joan of Arc

Rouen, Normandy, 1431, during the Hundred Years' War. After being captured by French soldiers from an opposing faction, Joan of Arc, the Maid of Orléans, is unjustly tried by an ecclesiastical court overseen by her English enemies.

Director(s)

Gérard Zingg

Robert Bresson

Françoise Collin

Serge Roullet

Alain Ferrari

Hugo Santiago

Marcel Ugols

Where to watch

HBO Max

HBO Max

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HBO Max Amazon Channel

HBO Max Amazon Channel

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Criterion Channel

Criterion Channel

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Cast & Crew

Hugo Santiago

Hugo Santiago

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Florence Delay

Florence Delay

Jeanne d'Arc

Jean-Claude Fourneau

Jean-Claude Fourneau

Bishop Cauchon

Roger Honorat

Roger Honorat

Jean Beaupere

Marc Jacquier

Marc Jacquier

Jean Lemaitre

Jean Gillibert

Jean Gillibert

Jean de Châtillon

Michel Herubel

Michel Herubel

Isambert de la Pierre

André Régnier

André Régnier

D'Estivet

Arthur Le Bau

Arthur Le Bau

Jean Massieu

Marcel Darbaud

Marcel Darbaud

Nicolas de Houppeville

Philippe Dreux

Philippe Dreux

Martin Ladvenu

Paul-Robert Mimet

Paul-Robert Mimet

Guillaume Erard

Gérard Zingg

Gérard Zingg

Jean-Lohier

Robert Bresson

Robert Bresson

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Françoise Collin

Françoise Collin

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Serge Roullet

Serge Roullet

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Alain Ferrari

Alain Ferrari

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Marcel Ugols

Marcel Ugols

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Details

GenresDrama, History
Runtime1h 2 mins
Released on13 Feb 1963
Languagefr
Produced InFrance

Reviews

CinemaSerf

7/10

There is something especially evocative about the way in which this quite short film has been put together by Robert Bresson and Léonce-Henri Burel. In just over an hour, it offers us a startlingly bleak interpretation of the last weeks of Joan of Arc's life, imprisoned, manipulated and subjected to immense amounts of intellectual cruelty by a church and a state that was determined that she should burn - regardless of any guilt or innocence. Florence Delay is very effective in the tital role - probably the best characterisation of this woman I have ever seen. Jean-Claude Fourneau is also at the top of his game as the prosecuting bishop "Cauchon" offering us a vision of a man as devoid of any Christian kindness as it is possible to imagine. Given everyone knows what did happen to this tortured soul, Bresson still manages to elicit a considerable degree of optimism: might things end differently this time? The dialogue is bland. Not in any dull sense, but in a matter-of-fact, non-florid fashion. The photography is basic and almost rudimentary - indeed, that also adds a great deal to the authenticity of just what it might well have been like at the time. If you ever watch any films about this historical event, then this ought to be the one...

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