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The Web

An impetuous junior attorney takes a brief, lucrative assignment as a bodyguard to a polished corporate executive targeted by a former partner, only to discover he’s quickly in over his head.

Director(s)

Michael Gordon

F.O. Collings

Cast & Crew

Patricia Alphin

Patricia Alphin

Secretary

Maria Palmer

Maria Palmer

Martha Kroner

John Abbott

John Abbott

Charles Murdock

Vincent Price

Vincent Price

Andrew Colby

Howland Chamberlain

Howland Chamberlain

James Nolan (as Howard Chamberlin)

Michael Gordon

Michael Gordon

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Edmond O'Brien

Edmond O'Brien

Bob Regan

Ella Raines

Ella Raines

Noel Faraday

Tito Vuolo

Tito Vuolo

Emilio Canepa

Fritz Leiber

Fritz Leiber

Leopold Kroner

Wilton Graff

Wilton Graff

District Attorney

William Bendix

William Bendix

Lt. Damico

Robin Raymond

Robin Raymond

Newspaper Librarian

F.O. Collings

F.O. Collings

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Details

GenresCrime, Drama, Thriller
Runtime1h 27 mins
Released on04 Jun 1947
Languageen
Produced InUnited States of America
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Reviews

John Chard

7/10

I'm a lawyer not a bodyguard. The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg. A good and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate. The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades). Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10

All Trailers

The Web (1947) ORIGINAL TRAILER
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