

Things to Come
The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.
Director(s)
William Cameron Menzies
Geoffrey Boothby
Where to watch

JustWatch TV
Free

Artiflix
Free
Cast & crew

Patrick Barr
World Transport Official (uncredited)

Cedric Hardwicke
Theotocopulos

George Sanders
Celestial Body (uncredited)

Abraham Sofaer
The Jew (uncredited)

John Clements
The Airman (uncredited)

Raymond Massey
John Cabal / Oswald Cabal

Edward Chapman
Pippa Passworthy / Raymond Passworthy

Ralph Richardson
The Boss

Margaretta Scott
Roxana / Rowena
Maurice Braddell
Dr. Harding

Sophie Stewart
Mrs. Cabal

Derrick De Marney
Richard Gordon

Ann Todd
Mary Gordon

Pearl Argyle
Catherine Cabal
Kenneth Villiers
Maurice Passworthy
Ivan Brandt
Morden Mitani
Anne McLaren
The Child

Patricia Hilliard
Janet Gordon

Charles Carson
Great Grandfather
Noel Brophy
Irishman (uncredited)
Anthony Holles
Simon Burton (uncredited)

Allan Jeayes
Mr. Cabal (uncredited)
Pickles Livingston
Horrie Passworthy (uncredited)

Terry-Thomas
Man of the Future (uncredited)
George Spence
Heckling Soldier (uncredited)

William Cameron Menzies
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Geoffrey Boothby
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Details
Reviews
CinemaSerf
This is a rather fanciful adaptation of the HG Wells tale. Mankind is all but obliterated by war; reduced to tribal existences - under the overly theatrical leadership of Ralph Richardson and Margaretta Scott - fighting plague, tyranny and the elements. Then they encounter Daniel Massey ("John Cabal") who helps reconcile and rebuild society to an almost Utopian level. It manages to intertwine megalomania with human aspiration; an overpoweringly rousing score and some truly Shakesperian style soliloquy. It comes to force a future upon us that is eerily portentous of an Orwellian style dictatorship; of interstellar exploration to spread our plague of self-destructive ambition to other worlds - and all, broadly speaking with the consent of the masses. Sadly, i saw a colourised version which robbed this film of almost every element of potency; indeed it rendered it little better than a very poor cartoon. It's still just about worth watching; but Massey is no Olivier and I found it all rather preposterous.


