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Why We Fight: The Battle of Russia

The fifth installment in Frank Capra's Why We Fight series, this documentary delineates the essence and progression of the Soviet-German confrontation during World War II.

Director(s)

Anatole Litvak

Frank Capra

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Cast & Crew

Frank Capra

Frank Capra

-

Anatole Litvak

Anatole Litvak

-

Nikolai Cherkasov

Nikolai Cherkasov

Alexander Nevsky

Anthony Veiller

Anthony Veiller

-

Ion Antonescu

Ion Antonescu

Self

Miklós Horthy

Miklós Horthy

Self

Alfred Jodl

Alfred Jodl

Self

King Boris III

King Boris III

Self

King Michael

King Michael

Self

Details

GenresDocumentary, War
Runtime1h 23 mins
Released on13 Nov 1943
Languageen
Produced InUnited States of America
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Reviews

CinemaSerf

7/10

For some reason, I always felt that this front of WWII was always the most horrendous, and this two-parter goes some way to poignantly illustrating that. Using a combination of animated maps and plenty of wartime newsreel, it takes us into the heart of the Soviet Union as the encroaching Nazis crushed all before them. It’s striking that though much of Western Europe was industrialised, the population facing this onslaught was a largely agrarian one still using scythes, horse-drawn ploughs and with little access to electricity. Initially, this looks like it’s going to be a cake-walk for the invaders, but when they arrive at Stalingrad they find that the population have regrouped and doubled their efforts, in spite of the sub-zero conditions and lack of supplies and ordnance, and together with supplies from the British and the Americans are now starting to make their own presence felt. The second part of this documentary focuses a little more on the fight back and leaves us with some degree of optimism that there might be light at the end of this very, very, long winter. The actuality here is really potent and augmented by a narration that avoids jingoism and sentiment and let’s the imagery speak for itself. Sure, it does have a propagandist function to an extent, but when you see the starved bodies of young children, or the raped ones of young women alive and dead, then you don’t really need anyone in a sound booth to describe what you can see or what to think about it. It’s clearly intended for an American audience and effectively extols that principle that the enemy of my enemy is my friend - regardless of doctrine.

Part of the Series

Why We Fight: Prelude to War

Why We Fight: Prelude to War

1942EN
Why We Fight: The Nazis Strike

Why We Fight: The Nazis Strike

1943EN, HE, DE
Why We Fight: Divide and Conquer

Why We Fight: Divide and Conquer

1943EN
Why We Fight: The Battle of Britain

Why We Fight: The Battle of Britain

1943EN
Why We Fight: The Battle of China

Why We Fight: The Battle of China

1944EN
War Comes to America

War Comes to America

1945EN
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