
Sorry, Wrong Number
Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
Director(s)
Anatole Litvak
Richard McWhorter
Where to watch

Amazon Video
Rent
Cast & Crew
Details
Reviews
SWITCH.
'Sorry, Wrong Number' isn't a film that leaves a strong lasting impression, but its narrative and visual inventiveness and a thoroughly engaging plot make it an enjoyable journey into 40s film noir. If anything, you leave it with a great appreciation for Lucille Fletcher's devilishly simple premise, one that certainly isn't dulled by the transition from radio to cinema. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-sorry-wrong-number-an-inventive-slice-of-1940s-film-noir
Media engagement
Sorry, Wrong Number FAQs
The directors of Sorry, Wrong Number are Anatole Litvak and Richard McWhorter.
The cast of Sorry, Wrong Number includes William H. O'Brien as Waiter at Wedding Reception (uncredited), Holmes Herbert as Wilkins (uncredited), Yola d'Avril as Leona's Maid (uncredited), Burt Lancaster as Henry Stevenson, William Conrad as Morano, Paul Fierro as Harpootlian, Leif Erickson as Fred Lord, Dorothy Neumann as Elizabeth Jennings, Wendell Corey as Dr. Philip Alexander, Joyce Compton as Cotterell's Blonde Girlfriend (uncredited), Mary Field as Telephone Operator (uncredited), Alexander Pollard as Waiter (uncredited), and more.
The duration of Sorry, Wrong Number is 1h 29 mins.
Yes. You can watch the Sorry, Wrong Number trailer on this Fanbiz page on Fanziz.
You can watch Sorry, Wrong Number on Amazon Video (Rent). Check this Fanbiz page for the latest platforms.
Sorry, Wrong Number was released on 24 Sep 1948.
Sorry, Wrong Number is listed under Thriller and Mystery on Fanbiz.
Sorry, Wrong Number has 1 review on Fanziz, with an average rating of 7.0/10. One reviewer wrote: "'Sorry, Wrong Number' isn't a film that leaves a strong lasting impression, but its narrative and visual inventiveness and a thoroughly engaging plot make it an enjoyable journe..."
























