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The Edge of the Blade

In 1887, at a moment when duels captivate Paris, Clément Lacaze and Marie-Rose Astié cross paths. He is a charismatic master of arms; she is a feminist ahead of her time. Plunged into a spiral of violence, Clément resolves to initiate Marie-Rose into the art of dueling. The two must join forces to save face. How far will they go to defend their honor?

Director(s)

James Canal

Stéphanie Seilhean

Cast & Crew

Vincent Perez

Vincent Perez

Louis Berchère

Guillaume Gallienne

Guillaume Gallienne

Eugène Tavernier

James Canal

James Canal

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Damien Bonnard

Damien Bonnard

Ferdinand Massat

Doria Tillier

Doria Tillier

Marie-Rose Astié de Valsayre

Roschdy Zem

Roschdy Zem

Clément Lacaze

Noham Edje

Noham Edje

Adrien Lacaze

Pepe Lorente

Pepe Lorente

Gustavo De Borda

Myriem Akheddiou

Myriem Akheddiou

Louise

Eva Danino

Eva Danino

Marguerite

Nicolas Gaspar

Nicolas Gaspar

Témoin Massat

Iman Perez

Iman Perez

Anaïs

Manda Touré

Manda Touré

Latina

Christophe Seureau

Christophe Seureau

Le directeur de combat

Stéphanie Seilhean

Stéphanie Seilhean

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Details

GenresDrama, History
Runtime1h 41 mins
Released on27 Dec 2023
Languagefr
Produced InFrance

Reviews

CinemaSerf

7/10

With the twentieth century looming, duelling was banned in France. However, as many still considered it the only honourable way to settle disputes between gentlemen, it still went on pretty much unfettered. Swordsmanship skills were still highly sought after, and one such master “Lacaze” (Roschdy Zem) attracted many to the school of his friend “Tavernier” (Guillaume Gallienne). His naive nephew, “Adrien” (Noham Edje), meantime, has taken a shine to a young lady and when that leads to an altercation with “Col. Berchère” (auteur Vincent Perez), it seems the latter man is determined to demand reparation. Facing a fairly hopeless task, he turns to his uncle for help, but what chance he can do much to help in the forty-eight hours allowed before the fight? On the other side of the city, feminist “Astié” (Doria Tiller) is fed up being told that she can’t wear trousers without a prefectorial edict! She writes pithy and sarcastic letters to the newspapers, but is usually derided by the likes the pompous publisher “Massat” (Damien Bonnard). Hearing of the duel, and of it’s subsequent result, she decides that there is no reason why women can’t demand satisfaction, so challenges “Massat”. Of course he cannot fight a woman, but this starts in motion a scheme that might see “Lacaze” exact his own form of retribution - one of a juicily humiliating kind. I quite enjoyed this dramatisation as it quite successfully ridiculed the sexism that existed at the time, and the nonsensical notions of “honour” amongst cowards, thieves and bigots. Tiller delivers engagingly as she mixes her politics with a sexy femininity and a decent right hook; Zem hasn’t much to say but maybe represents the last few remnants of what might once have been called chivalry and the production design provides for a convincing setting for épée, pistol and even the sabre to be rattled. There’s a tiny bit of romance, but not enough to intrude as we watch some occasionally quite impressive demonstrations of swordplay - complete with affectations, acrobatics and flamboyance.

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The Edge of the Blade Official Trailer