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The Flesh and the Fiends

In Edinburgh, surgeon Dr. Robert Knox relies on cadavers to advance his research into the workings of the human body. Two local miscreants, Burke and Hare, devise a method to furnish him with fresh specimens.

Director(s)

John Gilling

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Cast & Crew

Donald Pleasence

Donald Pleasence

William Hare

Peter Cushing

Peter Cushing

Dr. Robert Knox

George Woodbridge

George Woodbridge

Dr. Ferguson

Melvyn Hayes

Melvyn Hayes

Daft Jamie

Philip Leaver

Philip Leaver

Dr. Elliot

George Rose

George Rose

William Burke

Michael Balfour

Michael Balfour

Drunken Sailor

Billie Whitelaw

Billie Whitelaw

Mary Patterson

Esma Cannon

Esma Cannon

Aggie

Renée Houston

Renée Houston

Helen Burke

Marita Constantinou

Marita Constantinou

-

Steven Scott

Steven Scott

Grave Robber

George Street

George Street

Publican

John Cairney

John Cairney

Chris Jackson

Andrew Faulds

Andrew Faulds

Inspector McCulloch

John Gilling

John Gilling

-

George Bishop

George Bishop

Blind Man

June Laverick

June Laverick

Martha Knox

Dermot Walsh

Dermot Walsh

Dr. Geoffrey Mitchell

June Powell

June Powell

Maggie O'Hara

Garard Green

Garard Green

Dr. Andrews

Beckett Bould

Beckett Bould

Old Angus

Raf De La Torre

Raf De La Torre

Grave Robber

Details

GenresHorror
Runtime1h 34 mins
Released on02 Feb 1960
Languageen
Age RatingNR
Produced InUnited Kingdom
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Reviews

Wuchak

6/10

**_Peter Cushing’s missing Frankenstein flick, sort of_** In 1828 Edinburgh, an ambitious doctor of anatomy (Peter Cushing) needs corpses for his work, which are dubiously supplied by two base men (Donald Pleasence and George Rose). This can’t end well. Shot in B&W (unfortunately), "The Flesh and the Fiends" (1960) is based on the infamous Burke and Hare murders and has been released under various other titles, like “Psycho Killers” and “Mania.” It was the first horror flick to feature Cushing not produced by Hammer Films, but it was shot at one of the studios that Hammer used in the greater London area and involved some of the same talent (at the time or in the near future), such as director John Gilling. So, naturally, it’s similar to a Hammer film. It's most comparable to Cushing’s Frankenstein movies since Dr. Robert Knox comes across as a real-life version of Baron Victor Frankenstein, not to mention the events take place just a decade after the publication of Mary Shelley’s Gothic novel. For those not in the know, Cushing starred as Dr. Frankenstein in six Hammer films between 1957-1974. Being based on a true story, this lacks the sensationalism of Hammer horror; it’s unsurprisingly more dramatic and mundane. Yet I liked how Dr. Knox is fleshed out (similar to Cushing’s Victor Frankenstein), as well as the side story involving one of Knox’s Med students (John Cairney) falling for a wild lower-class lass of the taverns (Billie Whitelaw). There are two versions of the film with the “continental version” featuring nudity that was surprising for a flick shot in 1959, which mostly consists of female top nudity; but there are also a few shots of a couple women totally nude, like one walking around the tavern in the background. Of course, such (tame) nudity was nothing new in cinema if you’ve seen 1934’s “Tarzan and His Mate,” but the Hays Code put the kibosh on it in America until the late 60s and the BBFC did the same in the UK. It runs 1 hour, 35 minutes, and was shot at Shepperton Studios, just southwest of London. (The censored version runs a minute shorter while the version called “The Fiendish Ghouls” cuts out some 23 minutes). GRADE: B-

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Fiendish Ghouls Trailer

The Flesh and the Fiends FAQs

John Gilling is the director of The Flesh and the Fiends.

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