The State of a Corpse

The State of a Corpse unfolds as a suite of variations sculpted from Stephen Sondheim’s Being Alive, serving as the visual expression of its debut. The cycle functions as a meditation on death, probing not only the weight of mortality but the futile effort each of us makes to comprehend it. It traverses realization, confrontation, and despair, ultimately culminating in an attempt to answer the ultimate question.